Current period is a unique era. While people enjoy the convenience in life brought by tech-nology,psychological disturbance and apprehension accompany with advancement of society are seriously threatening survival of human beings.Post-modernism,arising from 70’ in 20th century till today without sings of fading, adds bit favor of reminiscent history into modernism and searches for anciern spirit of humanism to make up shortcomings of western civi-lization of materials.
Such a phenomenon is reflected in the trend of contemporary art. While art forms of all styles were once been through and died out, artists could only expect to find possible right angle to enter and explore by reviewing every pen craft in the history of art. It is to blend per-sonal life experience of the artist into his creation of art in parallel, creating art in such a way that it asserts personal signature as well as presents contemporary spirit and interfaces with history.
Being guided by such thinking, I went from ancient fresco to the adoption of meaning of western and eastern spiritual civilization. And by using symbolic denotations, creatures in Mother Nature and events in daily life are becoming the medium through which personal lan-guage in painting is best expressed. The exhibition”rock, cave, floater, history” held in Provincial Art Gallery Tai-Chung (Now it is renamed National Art Gallery), was based on such a tachniqe in 1999. At the initial stage of improvisation of this series.”endurance, obscurity, reflection, revival”, I was smitten by 911-attack of terrorism and my beloved father’s pass-away. A sense of feeling of suspiration grew out of the transience of life. These emotions down and in depth were naturally transformed and mingled into different scenes of creations in the system, while facing the moment of improvisations. Unclothing the disguise of art form of multi-oriented medium, it points direcly to the loft presentation of contemporary spirits of humanism.
The phrase,”endurance, obscurity, reflection,revival”,was a restructure of a set of words created by myself to correspond to the connotation brewed inside and sophistication of the peri-od embedded in paintings, meaning further, obscure, re-seeable,and rebirth. Through interpre-tation of paintings, these originally mysterious, profound, and abstruse wordings are surprising-ly able to lucidly present the inner image while in painting.
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My paintings always have the touch of techniques for realism, connotation of surrealism, and spiritual guidance of Pittura Metafisica Artist, furthermore,are even directly categorized as surrealism. Along with the appeal of contents and theoretic base of”endurance, obscurity, reflection, revival”,intention of my creation out of clearness has early become a kind of’sureal-ism without sub-conscience and intuitively gone beyond the thoughts of improvisation of surre-alism.
It took 4 years to come out with the work exhibited at this time. This paint book is com-prised of works for 30 pieces, to which I gave all out efforts personally. Your comments are highly appreciated and enthusiastically expected. At last, I would like to sincerely thank my col-leagues and instructors who have been accompanying along with me on the road of art. In memory of my beloved father, I would like to also dedicate this collection to him and may him rest in peace.
1962 Taiwan I-Lan
M.F.A. Université de ParisⅧ, Paris, France.
2004- Professor in the Fine Art Department of the Chinese Culture University.
2005- Curator of Taiwan Contemporary Curatorial Group.
Current Post / Professor in the Fine Art Department of the Chinese Culture University.
IMPORTANT SOLO EXHIBITION:
2013 Solo Exhibition of Lin,Chin-Piao, Bo Art Gallery.Taipei.
2012 Solo Exhibition of Lin,Chin-Piao, Harvest Art Gallery.Taipei.
2010《Quiet Contemplation》, National DR.Sun Yat-Sen Memorial Hall. Taipei.
2006 《Feeling of Spiritual Insight》, Chinese Culture University,Museum of Hwa-Kang. Taipei.
2003《Endurance,Obscurity,Reflection,Revival.》, National DR.Sun Yat-Sen
Memorial Hall. Taipei.
2002《Endance,Obscurity,Reflection,Revival》, Taipei Hsien Administraation
1999《Rock,Cave,Floater,History》, Taiwan Museum of Art. Tai-chung.
1997《Spirit of the Picture Shows》, Pacific Culture Fondation Art Center. Taipei.
IMPORTANT GROUP EXHIBITION:
2015 Art Taipei 2015 ,Bo Art Gallery, Taipei.
2003 《An Exhibition of Taiwanese Arts 50 Years Post War》, Chan Liu Art Museum.
2003《A United Exhibition of a Hundred People,Sing for Life-Trilogy of Spirit
Rebuilding》, Taipei Fine Art Museum. Taipei.
2001 《The Joy of Growth,Chi Mei Fine Arts Scholarship Exhibition》, Taipei Fine Arts museum. Taipei.
1999 《Showcases of Taiwan & Hong Kong Modern Art》, Hong Kong Sinorama Culture Center.Hong Kong.
1999 《Love of Angel》, Eslite Gallery. Taipei.
1999 《Asian International Art Exhibition》, Fukuoka Asian Museum Fukuoka City. Japan.
1996 《Taipei.Sinchang.Peijing Artists Exhibition》, World Trade Center. Wuloomouchi. China.
1992 《The Power of Taiwan. Taipei Modern Painting Groug Exhibition》, Taipei Fine Arts Museum. Taipei.
A009-037 Lin Chin-piao 72.5x60.5cm NTD 200,000
A009-040 Lin Chin-piao 72.5x60.5cm NTD 200,000
A009-038 Lin Chin-piao 72.5x60.5cm NTD 200,000
A009-047 Lin Chin-piao 72.5x60.5cm NTD 200,000
A009-046 Lin Chin-piao 46x53 cm NTD 100,000
A009-044 Lin Chin-piao 46x53 cm NTD 100,000
Bride in the water Lin Chin-piao 97x130cm NTD 540,000
A009-005 Lin Chin-piao 45.5x38cm NTD 80,000
A009-030 Lin Chin-piao 45.5x53cm NTD 100,000